Generous funding for Ways of Seeing: Three Takes on the Jack Shear Drawing Collection is provided by Kathy and Richard Fuld, Agnes Gund, the Low Road Foundation, Matthew Marks, Christie's, Emily Rauh Pulitzer, Jo Carole and Ronald S. Lauder, and Pace Gallery.
Ways of Seeing: Three Takes on the Jack Shear Drawing Collection is a three-part exhibition that focuses on the extraordinary drawing collection of artist, curator, and President of the Ellsworth Kelly Foundation Jack Shear. Continuing The Drawing Center’s tradition of exhibiting drawings from outstanding public and private collections, Ways of Seeing offers a revealing experiment in connoisseurship and exhibition-making. During the course of the exhibition’s fifteen-week run, artist Arlene Shechet, critic and curator Jarrett Earnest, and Shear himself will each present an installation curated from Shear’s holdings, which consist of nearly seven hundred drawings dating from the sixteenth century to the present.
Take One: Jack Shear, Oct 2–Nov 7, 2021
Take Two: Arlene Shechet, Nov 13–Dec 23, 2021
Take Three: Jarrett Earnest, Jan 15–Feb 20, 2022
In the first installation of Ways of Seeing, on view from October 2 through November 7, Shear adopts a unique approach to hanging his collection, placing drawings alongside, directly on top of, or abutting other works on the basis of intuited visual affinities regardless of context or historical provenance.
The second installation, on view from November 13 through December 23, artist Arlene Shechet takes an equally inventive approach, Shechet has chosen artworks that highlight connectivity and intimacy, complimenting her careful consideration of the viewing environment. As a sculptor, Shechet addresses the physical space of The Drawing Center’s galleries, installing four of her own hand-carved wooden benches to create a dynamic communal space that embodies the idea that how we see art is fundamental to what we see.
For the third and final iteration of Ways of Seeing, on view from January 15 through February 20, critic and curator Jarrett Earnest takes the fundamentals of drawing as a starting point for his installation of works selected from Shear's collection. Organizing the installation around two drawings—one by Henri Michaux and the other by Vija Celmins—Earnest creates a dynamic display around the premise that works of art are impacted by the context in which they are seen and received.
Taken together, the exhibition’s successive iterations—curated by Jack Shear, Arlene Shechet, and Jarrett Earnest, respectively—offer a revealing experiment in connoisseurship and exhibition-making.
Jack Shear is a photographer, curator, and art collector living and working in Spencertown, NY. He previously collaborated with Anne Philbin on Drawn from Artists’ Collections, on view at The Drawing Center from Apr 24–Jun 12, 1999, and co-curated Twice Drawn at the Tang Teaching Museum with Director Ian Berry. Shear’s collection has previously been on view in the exhibition Borrowed Light: Selections from the Jack Shear Collection at the Tang Teaching Museum. Most recently, his drawings were on view at the Blanton Museum of Art in Austin, Texas. His own photographs are in the collections of the San Francisco Museum of Modern Art and the Whitney Museum of American Art. Shear is also President of the Ellsworth Kelly Foundation, and serves on the Drawings & Prints Committee at the Museum of Modern Art.
Arlene Shechet is a multidisciplinary sculptor living and working in New York City and the Hudson Valley. A critically-acclaimed twenty-year survey of the artist’s work, All At Once, was on view at the Institute of Contemporary Art/Boston in 2015. Shechet has designed and curated exhibitions including Porcelain, No Simple Matter: Arlene Shechet and the Arnhold Collection, on view at The Frick Collection, New York (2016–17), and From Here on Now at The Phillips Collection, Washington, DC (2016–17). Her ambitious large-scale public project Full Steam Ahead featured monumental porcelain and mixed media sculptures installed in Madison Square Park, New York (2018–19). Shechet’s first solo show at Pace Gallery, Skirts, opened in New York in February 2020. The monograph Arlene Shechet: Skirts (Pace Publishing, 2020) includes an essay by scholar Rachel Silveri and interviews with the artist by Deborah Solomon and Michaëla Mohrmann. Shechet currently has work on view in New York at The Metropolitan Museum of Art, the Whitney Museum of American Art, The Jewish Museum, and the Museum of Arts and Design. Upcoming projects include exhibitions in Hong Kong and Los Angeles, as well as a historical and contemporary installation that Shechet has designed for the Harvard Art Museums and a permanent sculpture commission for the Stuart Collection at the University of California San Diego.
Writer and curator Jarrett Earnest has contributed criticism and long form interviews to publications including What it Means to Write About Art: Interviews with Art Critics (David Zwirner Books, 2018), The Brooklyn Rail, Vulture, The Village Voice, Los Angeles Review of Books, Art in America, Art Practical, Riot of Perfume, SFAQ, The Miami Rail, Cultured, Elephant, New York Magazine, diSONARE, and many exhibition catalogs. He has recently curated exhibitions including The Young and the Evil at David Zwirner, NY (February 21–April 13, 2019) and Closer as Love: Polaroids 1993–2007: Breyer P-Orridge at Nina Johnson, Miami (October 3–November 23, 2019). Earnest was also the editor of Hot, Cold, Heavy, Light: 100 Art Writings 1988–2017 by Peter Schjeldahl (Abrams, June 2019), TELL ME SOMETHING GOOD: Artist Interviews from the Brooklyn Rail (with Lucas Zwirner; David Zwirner Books, 2017), and FORBILL, ANYTHING: Words and Images for Bill Berkson (with Isabelle Sorrell; Pressed Wafer, 2015). Some of Earnest’s most recent writing includes “Excerpt from Drag Diary” in Ursula (Issue 6, Spring 2020); “Willi Smith in Pieces” in Willi Smith: Street Couture (Rizzoli, March 2020); and a contribution to the accompanying publication for The Young and Evil: Queer Modernism in New York 1930–1955, entitled “History of Intimacy” (David Zwirner Books, 2020).
Organized by Claire Gilman, The Drawing Center’s Chief Curator, with curators Jack Shear, Arlene Shechet, and Jarrett Earnest, and with the assistance of Isabella Kapur, Curatorial Associate.
Explore this exhibition further online using our new digital guide, available for free as part of the Bloomberg Connects app. By downloading the app on your mobile device, you can discover other exhibition guides, drawing activities, and educational resources.
Closing Reception: Ways of Seeing
In Conversation: Jarrett Earnest, Arlene Shechet, Jack Shear, and Claire Gilman on Ways of Seeing
Ways of Seeing: An Evening of Readings
Exhibition Walkthrough: Arlene Shechet + Jack Shear
ASL DrawNow! Online! with Nic Annette Miller and Joyce Hom
Curatorial Walkthrough: Arlene Shechet on Ways of Seeing: Three Takes on the Jack Shear Drawing Collection
Opening Reception: Ways of Seeing: Three Takes on the Jack Shear Drawing Collection (Take Two)
Ways of Seeing: An Evening of Readings
Explore Take Three of 'Ways of Seeing' with Jarrett Earnest
Explore Take One of 'Ways of Seeing' with Jack Shear