Solution

Solution

Print edition of "Eternal Freedom" by Naudline Pierre. A winged, vermillion-red female figure floats mid-frame, expelling a field of energy from her hand. Several human-faced spirits float around her, and she is surrounded by washy brushstrokes in flamelike patterns.

Eternal Freedom

Lawful Excuses

Lawful Excuses

BEAUTIFULLY

BEAUTIFULLY

Print of "Nico + Flowers (Nico Muhly)" by Elizabeth Peyton. On cream-colored paper is printed a deep purple linocut of a male bust. His face is defined by wide sweeping cuts, with thinner lines defining his eyes. A bouquet of flowers encroaches upon his figure from his left.

Nico + Flowers (Nico Muhly)

Print of "Untitled" by Ellen Berkenbilt. A stylistic femme profile emerges from the left in quick brushstrokes. Her jaw is open, with several neon pink peacock feathers entering her mouth.

Untitled

Print of "Untitled" by Fernanda Laguna. In a printed frame of gold filligree sits an anthropomorpic cartoon heart. She's seated on an illusionistic "rip" in the paper.

Untitled

Print of "Untitled" by Jennifer Wynne Reeves. In a barren snowscape stands a collection of a dozen colorful sculptures. They appear small, dwarfed by the landscape around them.

Untitled

Print of "Cityscapes" by Susan Hefuna. On pale blue paper is centered a grid of squares. The black ink of the outside of the square fades to a desaturated turquoise as the grid goes farther in, eventually fading completely.

Cityscapes

The front cover for "TABLET" by Ellsworth Kelly.

Tablet: 1948–1973

Print of "Untitled" by Josh Smith. A black palm tree floats within a looping black frame. Behind the tree is a rainbow sky and hot orange sun.

Untitled

Drypoint print by artist Richard Tuttle titled "1845". A line resembling a diminishing sine wave repeats itself in a semi-circle pattern upon a white background.

1845

Print of "The Revolution will be Female" by Marcel Dzama. Five femail figures in masks and bandanas flank each other in a militaristic formation, brandishing machine guns and bows and arrows. The central figure holds up a poster reading "TAKE NOTICE: THE REVOLUTION WILL BE FEMALE". Above them fly bats and birds, along with a fascistic male figure with a pigs head and red armband.

The Revolution will be Female

Print of "Sfumato" by Teresita Fermandez. This greyscale print features a series of rock-like forms on a white background. These forms are casting long shadows that go vertically from top to bottom.

Sfumato

Photographic print of "Antoine's Organ (detail)" by Rashid Johnson. A grid of metal bars make a series of shelves that house a lush variety of houseplants. Sitting among the plants are a radio, a television with speakers, and an arrangement of white flourescent lights.

Antoine’s Organ (detail)

Photographic print by R.H. Quaytman title "4.545% of Morning, Chapter 30". A landscape composition bisected horisontally by a pale blue on top, and a deep black on the bottom. Upon the horizon is a minscule sliver of red, suggesting a sunrise or sunset.

4.545% of Morning, Chapter 30

Print of "Slow Copperfield (East)" by Marco Maggi. On cream colored paper is a gold-tinted atomized form that gets gradually less dense from the center outwards. The structure resembles frost, or rust buildup.

Slow Copperfield (East and West)

Print of "Dickicht" by Neo Rauch. This piece depicts a woman leading a man by the hand toward the right edge of the composition, which is flooded with dark black ink. The man holds a hollow bull horn, and his head is bandaged.

Dickicht

Print of "Show Cards and Cigarettes" by Yuri Masnyj. On a black ground sits a pack of cigarettes, several of which are scattered on this ground. On the wall above are postcards and ephemera for art shows and performances, held up by tape or pins.

Show Cards and Cigarettes

Print of "Pictograms" by Marta Méndez Blaya and Ferran Adria. In a black square sits two bold white lines. A short line drawn vertially through the center, and a sweeping U shaped line that envelopes the other from the bottom.

Pictograms