Print edition of "Eternal Freedom" by Naudline Pierre. A winged, vermillion-red female figure floats mid-frame, expelling a field of energy from her hand. Several human-faced spirits float around her, and she is surrounded by washy brushstrokes in flamelike patterns.

Eternal Freedom

Lawful Excuses

Lawful Excuses

BEAUTIFULLY

BEAUTIFULLY

Print of "Nico + Flowers (Nico Muhly)" by Elizabeth Peyton. On cream-colored paper is printed a deep purple linocut of a male bust. His face is defined by wide sweeping cuts, with thinner lines defining his eyes. A bouquet of flowers encroaches upon his figure from his left.

Nico + Flowers (Nico Muhly)

Print of "Untitled" by Ellen Berkenbilt. A stylistic femme profile emerges from the left in quick brushstrokes. Her jaw is open, with several neon pink peacock feathers entering her mouth.

Untitled

Print of "Untitled" by Fernanda Laguna. In a printed frame of gold filligree sits an anthropomorpic cartoon heart. She's seated on an illusionistic "rip" in the paper.

Untitled

Print of "Untitled" by Jennifer Wynne Reeves. In a barren snowscape stands a collection of a dozen colorful sculptures. They appear small, dwarfed by the landscape around them.

Untitled

The front cover for "TABLET" by Ellsworth Kelly.

Tablet: 1948–1973

Print of "Slow Copperfield (East)" by Marco Maggi. On cream colored paper is a gold-tinted atomized form that gets gradually less dense from the center outwards. The structure resembles frost, or rust buildup.

Slow Copperfield (East and West)