Edie Fake: Labyrinth is made possible by Marlborough; the Toby Devan Lewis Donor Advised Fund of the Jewish Federation of Cleveland; Gary Metzner and Scott Johnson; John Robin Baitz; billy ocallaghan and mark gross; and Western Exhibitions.
Chicago artist Edie Fake presents a site-specific wall drawing in the stairwell of The Drawing Center lobby. Fake’s installation is the fourth in a series following Inka Essenhigh’s Manhattanhenge (April 2018–August 2019), Gary Simmons’s Ghost Reels (October 2016–February 2018), and Abdelkader Benchamma’s Dark Matter (April 2015–August 2016).
At The Drawing Center, Fake realizes his architectural fantasies in an actual built space. Overlaying an imagined maze-like architectural façade onto the walls of the stairwell, Fake turns the liminal space into an homage to the Labyrinth Foundation, an early organization for trans men established in the late 1960s in Chicago. The elaborate façade dissolves into the same winding patterns and paths that populate Fake’s individual drawings, a reference to the myriad unmapped territories and paths through trans identity.
