Thread Lines is made possible by the support of Richloom Fabrics Group, Fiona and Eric Rudin,
Daniel Romanow, The Capital Group, the Lenore G. Tawney Foundation, Ambach & Rice,
Galería Isabel Aninat, and Lesley Heller.
This group exhibition features sixteen artists who engage in sewing, knitting, and weaving to create a wide-range of works that activate the expressive and conceptual potential of line and illuminate affinities between the mediums of textile and drawing. Multi-generational in scope, Thread Lines brings together those pioneers who—challenging entrenched modernist hierarchies—first unraveled the distinction between textile and art with a new wave of contemporary practitioners who have inherited and expanded upon their groundbreaking gestures.
Participating Artists: Mónica Bengoa (b. 1969, Santiago, Chile), Louise Bourgeois (b. 1911, Paris, France- d. 2010, New York, NY), Sheila Hicks (b. 1934, Hastings, NE), Ellen Lesperance (b. 1971, Minneapolis, MN), Kimsooja (b. 1957, Taegu, Korea), Beryl Korot (b. 1945, New York, NY), Maria Lai (b. 1919, Ulassai, Sardinia- d. 2013, Cardedu, Sardinia), Sam Moyer (b. 1983, Chicago, IL), William J. O'Brien (b. 1975, Eastlake, OH), Robert Otto Epstein (b. 1979, Pittsburgh, PA), Jessica Rankin (b. 1971, Sydney, Australia), Elaine Reichek (b. 1943, New York, NY), Drew Shiflett (b. 1951, Chicago, IL), Alan Shields (b. 1944, Herington, KS- d. 2005, Shelter Island, NY), Lenore Tawney (b. 1907, Lorain, OH- d. 2007, New York, NY), and Anne Wilson (b. 1949, Detroit, MI).
SPECIAL PROJECTS
Anne Wilson’s To Cross (Walking New York), 2014 in the Main Gallery
After discovering that The Drawing Center’s SoHo building was originally built in 1866 for the Positive Motion Loom Company, Chicago-based artist Anne Wilson conceived of her latest site-specific performance that will use the main gallery’s four central columns as a weaving loom. Recalling the physical structure and operations of the loom itself, the piece’s four participants “walk” around the twelve foot columns, carrying a spool of thread to form a standard weaving cross (a method used to keep warp threads in order). The durational performance, which takes place over the course of two months, results in the fabrication of a five by thirty-four foot sculpture: a colorful cross composed of innumerable strands of thread.
Kimsooja’s Thread Routes - Chapter I, 2010 in The Lab
On view September 18 – October 2, 2014 Wednesday–Sunday
Korean artist Kimsooja premieres the first in a series of six 16mm films that document the performative elements of varied forms of indigenous textile construction. Thread Routes - Chapter I, 2010 explores the Peruvian weaving culture set amid the highlands of Machu Picchu.
Thread Lines was on view at Kentucky Museum of Art and Craft, Louisville, Kentucky, April 29 through August 6, 2017.
Curated by Joanna Kleinberg Romanow, Assistant Curator