
The Return of the Cadavre Exquis
$15
PurchaseNovember 6 – December 18, 1993
Exquisite corpse (from French cadavre exquis) is a collaborative, surrealist parlor game invented in 1925 in which players take turns drawing sections of a composition on a single sheet of paper, folding it to hide their contribution before passing it to the next person, resulting in a bizarre, unexpected final piece: the cadavre exquis. The Drawing Center endeavored to revive this game, initiating the project with invitations to 200 artists, but by the end, there were nearly 1,200 participants. As word spread and The Center began to receive drawings from other artists, the decision was made, in the surrealist spirit of chance, to let the game run its course and to accept any drawings that came.
Over 600 drawings were exhibited in the end, necessitating the inclusion of a second exhibition space at 395 West Broadway (previously the Rubin Spangle gallery) in addition to The Drawing Center’s gallery. All of the drawings were part of the benefit lottery where each was randomly assigned—again: in the surrealist spirit of chance—to those who purchased a $250 lottery ticket. In other words, each drawing in the exhibition was of equal value, and no one was able to choose. The collectors were forced to play a game of chance as well!
Ann Philbin, Director of the Drawing Center since July 1990, oversaw the project and participated in all curatorial decisions. Ingrid Schaffner, independent curator and critic, was the co-curator and project coordinator. Artists Kim Jones and Leonard Titzer also participated as curators. They acted as liaisons with the artist community, soliciting "un-curated" drawings and encouraging participation.
(b. 1954, Wallingford, CT, US; lives in New York, NY, US)
Matt Mullican’s vast and prolific practice encompasses drawing, sculpture, video, performance, and installation. Ranging from schematic diagrams and arcane symbols to explicit text-based drawings and self-created cosmologies, Mullican’s work classifies, orders, and describes an understanding of the world, using drawing to confront the nature of subjectivity, perception, and cognition. Since the late 1970’s, Mullican has also conducted performances and created drawings while under hypnosis as a means of exploring the nature of behavior. Through his performances, Mullican has developed the mantra, “I love to work for truth and beauty” which contextualizes and motivates his artistic practice.
Born in Santa Monica, CA in 1951, Mullican presently lives and works in Berlin. He received his B.F.A. from the California Institute of the Arts in 1974. Mullican’s work has been featured in numerous exhibitions throughout the United States and in Europe including solo shows at the Ludwig Museum, German (2005); Stedelijk Museum Schiedam, The Netherlands (1998); and Centre for Contemporary Art, Poland (1986), among many others. An installation of his work and performance were included in the 2008 Whitney Biennial and in 2009 The Drawing Center presented Mullican’s most comprehensive solo exhibition in the United States to date.
b. 1957, Tucson, AZ
Lives and works in New York, NY
b. 1962, New York, NY
Lives and works in New York, NY
b. 1960, London, England
Lives and works in New York, NY
b. 1954, Den Bosch, Netherlands
Lives and works in Amsterdam, Netherlands