In Draw Me After, Peter Cole evolves a supple, singular music that charts regions of wonder and danger, from Eden as a place of first response and responsibility to modern sites of natural and political catastrophe.

At the heart of the volume lie two remarkable series: one translates drawings by Terry Winters into a textured language spun from the material abstractions of Winters’s art; the other winds through the book in dreamlike fashion, offering prismatic and often haunting meditations on the letters of the Hebrew alphabet—in kabbalistic tradition, the building blocks of existence.

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