Betye Saar, Taurus, 1967. Intaglio print, ink, and watercolor on paper, 13 1/2 x 21 1/2 inches (34.3 x 54.6 cm). Courtesy the artist and Ortuzar Projects, New York. Photo by Timothy Doyon
Xiyadie, Door (A pair of rotating doors is representing tradition and modernity, as the universe rotates day after day, so our lives are focused and the joy of love continues...), 1982. Papercut with water-based dye and Chinese pigments on Xuan paper, 7 7/8 x 7 7/8 inches (20 x 20 cm). Courtesy of the artist
Mel Chin, Garden where the Wild Grass Obscures the True Pearl, 1987. Graphite on drawing paper laminated on plywood, 13 x 13 inches (33 x 33 cm). Courtesy of Amanda Wiles. Courtesy of the artist
Xiyadie, Butterfly, 2006. Papercut with water-based dye and Chinese pigments on Xuan paper, 11 x 11 4/5 inches (28 x 30 cm). Courtesy of the artist
Betye Saar, Taurus, 1967. Intaglio print, ink, and watercolor on paper, 13 1/2 x 21 1/2 inches (34.3 x 54.6 cm). Courtesy the artist and Ortuzar Projects, New York. Photo by Timothy Doyon
Xiyadie, Door (A pair of rotating doors is representing tradition and modernity, as the universe rotates day after day, so our lives are focused and the joy of love continues...), 1982. Papercut with water-based dye and Chinese pigments on Xuan paper, 7 7/8 x 7 7/8 inches (20 x 20 cm). Courtesy of the artist
Mel Chin, Garden where the Wild Grass Obscures the True Pearl, 1987. Graphite on drawing paper laminated on plywood, 13 x 13 inches (33 x 33 cm). Courtesy of Amanda Wiles. Courtesy of the artist
Xiyadie, Butterfly, 2006. Papercut with water-based dye and Chinese pigments on Xuan paper, 11 x 11 4/5 inches (28 x 30 cm). Courtesy of the artist
