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Exhibition Archive

Otto Wagner: Drawings

November 13, 1987 – January 16, 1988

Otto Wagner: Drawings, an exhibition featuring the most comprehensive selection of Wagner drawings ever exhibited in the United States, was on view at The Drawing Center in 1988. Organized by Otto Antonia Graf and August Sarnitz of the Academy of Fine Arts, Vienna, the exhibition had been chosen from the collections of the Albertina, the Academy of Fine Arts, the Historical Museum of Vienna and distinguished private collections.

Otto Wagner (1841–1918), Vienna's foremost architect at the turn of the century, was credited with taking the first steps in freeing architecture from a dependence on historical styles. His development as an architect spanned a remarkable range from Historicism to Art Nouveau and Early Rationalism.

The study of Wagner's drawings was particularly rewarding not only because of the brilliance of his technique but because the drawings clearly documented the architect's working method. Projects began with a freehand preliminary sketch, followed by pencil drawings in scale, from which assistants prepared final plans in ink enhanced by flat watercolor washes. Wagner's architecture, as well as his theories and drawing style, were profoundly influential among the younger generation of architects in Vienna, notably Joseph Maria Olbrich, Josef Hoffmann and Marcel Kammerer.

The exhibition was scheduled to travel to the Museum of Art, University of Oregon, Eugene; the Emory University Museum of Art and Archaeology, Atlanta, Georgia; the University Art Museum at the University of Minnesota, Minneapolis; and the Wight Gallery at UCLA. A catalog written by Professor Otto Antonia Graf included illustrations of all the works in the exhibition, many of them in color.

Artworks

Ephemera

Installation Photography

Press

Credits

This exhibition was made possible with support from The American Austrian Foundation, Inc., Mr. and Mrs. Gerhard R. Andlinger, The Austrian Institute, the Graham Foundation for Advanced Studies in the Fine Arts, Ambassador and Mrs. Ronald S. Lauder, Manufacturers Hanover Trust Company, Oesterreichische Laenderbank, Warner Communications Inc. and Zumtobel Lighting Inc. British Airways was the official airline of The Drawing Center. Public funds from the National Endowment for the Arts, the Institute of Museum Services and the New York State Council on the Arts assisted in making this exhibition possible. The Drawing Center was proud to be a recipient of a Challenge Grant from the National Endowment for the Arts. The symposium was made possible by a generous grant from Zumtobel Lighting, Inc.